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February 24 - 26, 2012 Choir, Orchestra
February 24 - March 1, 2012 Visual Arts, Theatre, and Dance
March 1 - 3, 2012 Jazz, Symphonic Winds, Middle School Band
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2011 SCRMC Clinicians and Guest Performers
 

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Dr. John Feierabend

Dr. John Feierabend is considered one of the leading authorities on music
and movement development in early childhood. He is a Professor of Music and the Director of the Music Education Division at The Hartt School of the University of Hartford and is a past President of the Organization of American Kodály Educators.  Dr. Feierabend makes frequent presentations both in the United States and abroad and is the author of over 60 books, articles, CDs, DVDs and videotapes.

A music educator for over thirty years, he continues to be committed to collecting, preserving and teaching the diverse folk music of our country and using that folk music as a bridge to help children understand and enjoy classical music.  His books are a result of his belief that when many generations share common experiences such as traditional folk songs and rhymes, it helps them develop a valuable but dwindling commodity - a sense of community. When adults share child like memories with children they not only connect children with their ancestors, they enrich their children's childhood and enable their children to some day tap into their own delicious childhood memories in order to share that same repertoire with their children.

In addition research has suggested that these traditional activities provide precisely the tonal, rhythmic and expressive experiences that are needed to develop one's musical sensitivities. Children fortunate enough to have these songs and rhymes shared with them will grow to become adults who will not only be musically sensitive to music in their lives, but will also be musically able to connect to their children through music play.

Dr. Feierabend’s research has resulted in two music curricula; First Steps in Music, a music and movement program for infants through early elementary aged children and Conversational Solfege, a music literacy method for use in general music classes. Dr. Feierabend also helped develop the PBS children's television series Lomax: The Hound of Music, which is based on his First Steps in Music curriculum.

Dr. Feierabend has been honored by the National Association for Music Education (MENC) as a Lowell Mason Fellow, received the Outstanding Educator Award from the Organization of American Kodály Educators (OAKE) and was the first American recipient of the international LEGO prize, an award given annually to someone who has “helped to make the world a better place for children to live and grow.”

Clinics

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Featuring Lou Marini...
Performing a World Premier of a new work for
Alto Sax and Wind Ensemble

The Symphonic Band is the top 68 players of approximately 175 musicians at Arkansas Tech University in Russellville, Arkansas.  The group is composed of all undergraduate students, approximately 80% of whom are majoring in music or music education.  Under the direction of Prof. Hal Cooper, one of only three directors in the 100 year history of the school, the group has played guest performances for five Arkansas All-State conventions, three CBDNA division conferences, and five national conventions of professional music organizations, including American School Band Directors’ Association, MENC, and the American Bandmasters’ Association.  The Symphonic Band’s approach to programming is one of balance, supporting the work of 21st century composers as well as preserving the heritage of traditional band repertoire including marches and transcriptions.  Their appearance at the South Central Regional Music Conference is sponsored by the Department of Music, Dr. Cynthia Hukill, Head, and the School of Arts and Humanities at Arkansas Tech, Dr. Michael Tarver, Dean. 

 

Performance on FRIDAY, February 25th

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Marguerite Wilder

Workshop

Thursday, February 24, 2011


$90 per person, pre-registration required
(includes conference registration)



Moving from Beginning Instrumental Classes to Ensemble Performances

   
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 Rebecca Barker


Using a Smart Board in the music class

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Editor's Choice website...Vocal Reading Sessions
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Dr. Buzzy Green
The Rhythm Bee
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Dr. Carol Reynolds
 
Avoid the Train Wreck: Preparing your Students for College Music
History Classes
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Essential Elements For Jazz Ensemble
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Ang Band of the Gulf Coast 
Jazz Band Master Class
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Bill Brent

THURSDAY, February 24th


Northwestern State University


Bill Brent is currently the director of the School of Creative and Performing Arts and Director of Bands at
Northwestern State University of Louisiana. During his 26 year tenure at Northwestern, the band program has grown from 48 members to more than 300 With his leadership, School of Creative and Performing Arts has been endowed with move $2.5 million in private scholarship funds and more than $4 million in grants. In addition, all academic programs with the School of CAPA have been accredited by their national accrediting agencies and the Board of Supervisors for the University of Louisiana System has designated the School as an “Area of Excellence”. Prior to coming to Northwestern, Mr. Brent was the Director of Bands at McCallum High School in Austin, Texas, where the marching band was twice named in the top five in the University Interscholastic League “State Marching Contest” and the symphonic band was named in the top ten in the Texas Music Educator’s Association “Honor Band” competition. Mr. Brent holds the Bachelor of Music Education and Master of Music degrees from the University of Texas, Austin. Among his professional organization memberships are the Louisiana Music Educators Association, Music Educators National Conference, Texas Music Educators Association, the Texas Bandmasters Association and Phi Beta Mu. In 2002, Mr. Brent received the highest honor bestowed by the University to members of the faculty when he was presented with the Northwestern “Distinguished Service Award”. In 2007, Mr. Brent was inducted into the Louisiana Music Educators Association “Hall of Fame” and in 2008 was named as the “Outstanding Band Director of the Year” for Louisiana by the Louisiana Chapter of Phi Beta Mu. He is in constant demand among his colleagues as a clinician, guest conductor and adjudicator in Louisiana and beyond.

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FRIDAY, February 25th


The 531st Air Force Band
ANG BAND OF THE GULF COAST Jazz Band


The Jazz Band is under the musical leadership of Staff Sergeant Joshua Keen.

The Jazz Band, comprised of 18 musicians, is one of the leadingensembles in the Air National Guard. They perform big band and jazz repertoire from the Glenn Miller era to the latest hot new styles of today’s jazz composers. This group performs concerts, dances, festivals, and banquets and is well received wherever it performs.

Other musical components Include: Ceremonial Brass Quintet, Rock Band, Latin American Ensemble, Chamber Music Ensembles as well as the Concert Band. The 531st Air Force Band is located at the Naval Air Station Joint Reserve Base Fort Worth, Texas and is a part of the Texas Air National Guard. The Air National Guard Band of the Gulf Coast is commanded by Major Jeffery C. Mathews
.

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Blue Lou Marini

Friday, February 25th

"Blue Lou" Marini
and the Blues Brothers Review with a tribute to
Blood, Sweat & Tears


Sultry, seductive, singular, the celebrated sounds of saxophonist “Blue Lou” Marini continue to electrify and inspire audiences all over the world. For Marini, music is language. A seasoned performance artist, arranger, and composer, he is fluent in jazz, rock, blues, and classical. Accomplished on soprano, alto, and tenor sax, flue, piccolo, alto flute, and clarinet, he is truly one of the industry’s most prolific luminaries with a tireless commitment to the evolution of his craft.

Lou Marini’s list of achievements spans a rich and diverse spectrum of both venue and genre. No stranger to the daunting rigors of television, Lou was one of the original members of the Saturday Night Live Band, playing on the show from 1976 to 1983.
A vivid memory for many veteran SNL audiences is Lou’s unforgettable saxophone solos at the open and close of each show, and of course his trademark long hair and funky mustache.

“Blueness,” as Lou is also known, was the saxophone soloist for Billy Preston’s band on NIGHTLIFE, hosted by comedian David Brenner, and has made numerous appearances on the DAVID LETTERMAN SHOW, the Grammy Awards, as well as
countless network television specials such as Aretha Franklin’s duet special and a special for the AIDS foundation featuring Dionne Warwick and Elton John.
In addition to his television projects, Lou Marini has enjoyed a formidable roster of successes in the film arena. In John Belushi and Dan Ackroyd’s 1980 cult classic THE BLUES BROTHERS, Lou played band member and saxophone soloist “Blue
Lou.” To this day, the remarkable popularity of the Blues Brothers Band continues. Lou and the other band members tour worldwide, giving live concerts to packed houses and hundreds of thousands of screaming fans. In 1998, the film BLUES BROTHERS 2000 was released and Lou had an even more prominent acting and musical role. Equally as comfortable behind the camera, Lou has contributed both playing and writing to such films as THE REF, HAIR, THE WIZ, BRIGHT LIGHTS BIG CITY, TRUE COLORS, BURNING BED, BYE BYE BIRDIE, TURNER & HOOCH, MIXED NUTS, and most
r
ecently A FAMILY THING starring Robert Duvall and James Earl Jones.

Lou has also played on numerous albums, many of which went platinum. The roster of legendary performance artists with whom he has worked continues to grow, and includes such luminaries as Eric Clapton, Aretha Franklin, Tony Bennett, Stevie Wonder, Diana Ross, Donald Fagen, Jose Carreras, Maureen McGovern, Lou Reed, and Frank Zappa.

In addition to collaborating with acclaimed individual artists, Blue Lou has played with a diverse plethora of some of the industry’s most prominent bands such as Aerosmith, the Rolling Stones, Dr. John, Blood Sweat & Tears, and The Band. A great lover of big bands, Lou has also had the honor of performing with some of his childhood idols, most notably Woody Herman, Stan Kenton, Buddy Rich, Thad Jones-Mel Lewis, and Doc Severinson.

Recently, he recorded his own big band album, recorded on most of the horn tracks for the new Steely Dan Album TWO AGAINST NATURE, and is currently touring with trumpeter, Lew Soloff’s quintet. In 2001, Lou toured with James Taylor [62 concerts] in the U.S. and is on James’ forthcoming album.

Lou lives in New York City’s Upper West Side. His son, Lou Marini, Jr., is proudly following in his father’s footsteps. “The focal point of the group is Lou Marini...he gives the band most of its colors and shadings and provides it with a strongly melodic
lead voice...Mr Marini moves through these various in whatever style he happens to find himself.”


John S. Wilson, NEW YORK TIMES
MM PRODUCTIONS, INC.
8530 Wilshire Blvd., Ste. #200, Beverly Hills, CA 90211
Jennifer Howe, Company/Tour Manager (763) 767-4054

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Trio de Llano

 


 

SATURDAY, FEBRUARY 26 11:00-11:30
Trio de Llano

NSU Faculty Trio Concert
Miro Room

The Trio de Llano (Dennette McDermott, flute; Malena McLaren, clarinet, Douglas Bakenhus, bassoon) was founded in August 2004 in an effort to promote and actively perform the unique chamber music repertoire for this often overlooked combination.  Each member of Trio de Llano is a full-time faculty member at Northwestern State University of Louisiana in Natchitoches, LA.  Performances include recitals at the University of Texas at Austin, the University of North Texas, and Northwestern State University of Louisiana.  The Trio de Llano was invited to perform at the University of New Mexico in February 2006.  In addition, the Trio de Llano was awarded Enrichment Fund Grants to perform concerts in the Slovak and Czech Republics, Victoria, British Colombia and, Manchester, England.  Most recently, they have performed at the 2009 National Flute Association Convention in New York City, and they have been invited to perform in August 2011 at the International Clarinet Association Convention in Los Angeles, CA.

Dennette Derby McDermott made her European debut in 1992 in the Czech Republic with the Czech premiere of Jindrich Feld's Introduzione, Toccato e Fuga. She presented the American premiere of the work at the University of North Texas in 1991. In 1995, as a recipient of the Magale Endowed Professorship, she participated in a master course,studying with Arnost Bourek and taught at the Janacek Academie of Music as as part of an Exchange . She has presented recitals in Brno, Czech Republic, Bratislava, Slovakia and throughout the United States, including numerous performances at National Flute Association Conventions. She was a winner of the Conventions Performers Competition in 1994, 1996, and 1999. In 1998 she was awarded the Mildred Hart Bailey Research Award and the Donald F. Derby Endowed Professorship which funded her CD Solo Czech Flute. In 2003 she received an Arts Link Grant which funded the first Slovak Flute Festival held in Bratislava, Slovakia. In 2006 she was the recipient of the Magale Endowed Professorship and the NSU Enrichment Grant, that funded performances of the NSU faculty woodwind trio  Trio de Llano, at the University of New Mexico, The Conservatory of Music in Bratislava, Slovakia, Victoria, BC., The Royal Northern  Academy of Music in England and most recently in New York City at the 2009 National Flute Association Convention.  In 2008 she recorded for www.classicalrecords.ru, a CD of Trios for Flute, bassoon and piano with her husband and  Russian pianist, Katerina Zaitseva. She has been published by The Flutist Quarterly, Pan Pipes, The American Piper and is featured regularly by Flute Talk, with articles on Czech music. As an active researcher,she has compiled and published the Czech flute sonatas of Jiri Cart. She holds a bachelor of music degree in performance from Michigan State University, a master of music in flute performance from the University of Michigan and a doctor of musical arts degree from the University of North Texas. Principal teachers have included Ervin Monroe, Renee Siebert, and Mary Karen Clardy.

Malena McLaren is the Assistant Professor of Clarinet at Northwestern State University of Louisiana.  She received the Bachelor in Music Education and Master of Music degree in Clarinet Performance at The University of New Mexico where she studied with Keith Lemmons. Malena has also studied with James Gillespie at the University of North Texas, where she received the Doctor of Musical Arts degree in Clarinet Performance.  She has recorded with the University of New Mexico Chamber Orchestra, the University of North Texas Wind Symphony and has performed in orchestras throughout Mexico and the United Kingdom.  In Spring 2006 she performed in Slovakia, the Czech Republic, and Victoria, British Columbia as a member Trio de Llano. She has played with the New Mexico Symphony Orchestra and been a member of the University of North Texas Wind Symphony, the North Texas Graduate Woodwind Quintet, as well as various professional orchestras and chamber groups Albuquerque and the Dallas metroplex. Malena is currently a member of Trio de Llano, an artist faculty ensemble-in-residence at Northwestern State University. She also performs frequently with the Rapides Symphony Orchestra.  Malena’s scholarly works include an article in The Clarinet.  Additionally, in July 2007 she received the second place prize in the International Clarinet Association’s Research Presentation Competition at the ClarinetFest® in Vancouver, Canada; a trip in which her travel was funded by an Enrichment Fund Grant provided by Northwestern State University. Most recently, Malena was invited to perform at the 2008 International Clarinet Association’s Annual ClarinetFest® in Kansas City, MO, as a member of Trio de Llano at the 2009 National Flute Association Conference in New York City, and at the upcoming August 2011 ClarinetFest® in Los Angeles, CA. 

Dr. Douglas Bakenhus is the Music Director and Conductor of the Natchitoches-Northwestern Symphony where he also teaches bassoon, music theory, aural skills, and conducting. His music degrees are from the University of Texas at Austin (DMA 2006, B.Music Ed.1983), Texas A&M University-Commerce (M.M. conducting 1985) and he has completed additional graduate courses in conducting at the University of Michigan. In addition, Dr. Bakenhus has been the music director of the Northeast Texas Symphony since 2002, and he served as the music director of the Austin Philharmonic from 2001-2004. Other teaching positions include Texas Lutheran University, the University of Mississippi, and public school teaching experiences at Crockett High School in Austin and at Langham Creek High School in Houston. Throughout his teaching career, Dr. Bakenhus has remained active as a guest conductor, clinician, and bassoonist. He recently conducted the San Pedro Sula Chamber Orchestra in Honduras and has toured Canada, Slovakia, and the Czech Republic with the NSU Faculty Woodwind Trio. Other recent ensemble performances include, on the baroque bassoon with Ars Lyrica in Houston, Texas, The Texas Bach Collegium in San Antonio, Texas, and on the modern bassoon with the Shreveport Symphony, the Longview Symphony, the Austin Symphony, and the San Antonio Symphony. Dr. Bakenhus is frequently called upon to adjudicate and clinic orchestra festivals, band festivals and solo/ensemble festivals throughout the United States and abroad.